By Rui Djassi Moracén
One cannot expect somebody who’s never been to Angola – or knows nothing about its troubled past – to fully grasp how the simple act of dancing, singing and socializing has always served as collective catharsis for its people. As Achille Mbembe, highly respected Cameroonian philosopher and political theorist puts it:
“Music has the capacity to marry soul and matter. Indeed, in Africa, music has always been a celebration of the ineradicability of life, in a long life-denying history. It is the genre that has historically expressed, in the most haunting way, our raging desire not only for existence, but more importantly for joy in existence – what we should call the practice of joy before death”.
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